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Book Title: Pirates of Penzance|
The size of the: 310 KB
Edition: Faber Music
Date of issue: October 1st 1998
ISBN 13: 9780571527939
The author of the book: W.S. Gilbert
Format files: PDF
Read full description of the books:'The Pirates of Penzance' takes its place along with 'The Mikado' and 'H.M.S. Pinafore' as one of the more frequently performed Gilbert and Sullivan operas. Its successful 1981 Broadway revival by Joseph Papp refreshed its popularity.
Titles: Pour, Oh Pour, The Pirate Sherry; When Fred'ric Was A Little Lad; Oh, Better Far To Live And Die; Oh False One, You Have Deceived Me; Climbing Over Rocky Mountain; Stop, Ladies, Pray ; Oh Is There Not One Maiden Breast; Poor Wand'ring One; What Ought We To Do?; How Beautifully Blue The Sky; Stay, We Must Not Lose Our Senses; Hold, Monsters ; I Am The Very Pattern of a Modern Major-General; Oh Men Of Dark And Dismal Fate.
Read information about the authorSir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. These, as well as most of their other Savoy operas, continue to be performed regularly throughout the English-speaking world and beyond by opera companies, repertory companies, schools and community theatre groups. Lines from these works have become part of the English language, such as "short, sharp shock", "What, never? Well, hardly ever!", and "Let the punishment fit the crime".
Gilbert also wrote the Bab Ballads, an extensive collection of light verse accompanied by his own comical drawings. His creative output included over 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw. According to The Cambridge History of English and American Literature, Gilbert's "lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since".
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